List of accepted submissions

Accepted long papers (6 pages in proceedings)

  1. SIGNAL + CONTEXT = BETTER CLASSIFICATION
    Jean-Julien Aucouturier, Francois Pachet, Pierre Roy, Anthony Beurive
  2. Algorithms for determining and labelling approximate hierarchical self-similarity
    Christophe Rhodes and Michael Casey
  3. A semantic space for music derived from social tags
    Mark Levy and Mark Sandler
  4. Using Fuzzy Song Sets in Music Warehouses
    Francois Deliege and Torben Bach Pedersen
  5. The Quest for Ground Truth in Musical Artist Tagging in the Social Web Era
    Gijs Geleijnse and Markus Schedl and Peter Knees
  6. Virtual communities for creating shared music channels
    Amelie Anglade, Marco Tiemann, Fabio Vignoli
  7. The Music Ontology
    Yves Raimond, Samer Abdallah, Mark Sandler, Frederick Giasson
  8. A Study on Attribute-Based Taxonomy for Music Information Retrieval
    Jeremy Reed and Chin-Hui Lee
  9. AUDIO-BASED COVER SONG RETRIEVAL USING APPROXIMATE CHORD SEQUENCES: TESTING SHIFTS, GAPS, SWAPS AND BEATS
    Juan P. Bello
  10. Visualizing Music: Tonal Progressions and Distributions
    Arpi Mardirossian and Elaine Chew
  11. Automated Synchronization of Scanned Sheet Music with Audio Recordings
    Frank Kurth, Meinard Mueller, Christian Fremerey, Yoon-ha Chang, and Michael Clausen
  12. Automatic Transcription of Music Audio through Continuous Parameter Tracking
    Eric Nichols and Christopher Raphael
  13. Raag Recognition using Pitch-Class and Pitch-Class Dyad Distributions
    Parag Chordia and Alex Rae
  14. A Probabilistic Framework for Matching Music Representations
    Paul Peeling and A. Taylan Cemgil and Simon Godsill
  15. From Rhythm Patterns to Perceived Tempo
    Klaus Seyerlehner, Gerhard Widmer, Dominik Schnitzer
  16. Improving Efficiency and Scalability of Model-based Music Recommender System based on Incremental Training
    Kazuyoshi Yoshii, Masataka Goto, Kazunori Komatani, Tetsuya Ogata, Hiroshi G. Okuno
  17. Using pitch stability among a group of aligned query melodies to retrieve unidentified variant melodies
    Jörg Garbers, Peter van Kranenburg, Anja Volk, Frans Wiering, Remco C. Veltkamp, Louis P. Grijp
  18. Supervised and unsupervised sequence modelling for drum transcription
    Olivier Gillet and Gaël Richard
  19. Improving Genre Classification by Combination of Audio and Symbolic Descriptors Using a Transcription System
    Thomas Lidy, Andreas Rauber, Antonio Pertusa, Jose Manuel Inesta
  20. A Methodology for the Segmentation and Identification of Music Works
    Riccardo Miotto and Nicola Orio
  21. Methodological Considerations in Studies of Musical Similarity
    Hamish Allan, Daniel Müllensiefen, Geraint Wiggins
  22. Practical approach to automatic polyphonic solo music transcription with constrained Nonnegative Matrix Approximation
    Stanislaw A. Raczynski, Nobutaka Ono, Shigeki Sagayama
  23. PITCH SPELLING WITH CONDITIONALLY INDEPENDENT VOICES
    Gabi Teodoru and Christopher Raphael
  24. A Unified System for Chord Transcription and Key Extraction Using Hidden Markov Models
    Kyogu Lee, Malcolm Slaney
  25. EXPLORING MOOD METADATA: RELATIONSHIPS WITH GENRE, ARTIST AND USAGE METADATA
    Xiao Hu, J. Stephen Downie
  26. Similarity Based on Rating Data
    Malcolm Slaney and William White
  27. Synthesized Polyphonic Music Database with Verifiable Ground Truth For
    Chunghsin Yeh, Niels Bogaards and Axel Roebel
  28. Sequence representation of music structure using higher-order similarity matrix and maximum-likelihood approach
    Geoffroy Peeters
  29. POLYPHONIC INSTRUMENT RECOGNITION USING SPECTRAL CLUSTERING
    Luis Gustavo Martins, Juan José Burred, George Tzanetakis, Mathieu Lagrange
  30. Algorithms for Polyphonic Music Retrieval: the Hausdorff Metric and Geometric Hashing
    Christian André Romming and Eleanor Selfridge-Field
  31. LOCALIZED KEY FINDING FROM AUDIO USING NON-NEGATIVE MATRIX FACTORIZATION FOR SEGMENTATION
    Ozgur İzmirli
  32. Finding new music: a diary study of everyday encounters with novel songs
    Sally Jo Cunningham, David Bainbridge
  33. Identifying words that are musically meaningful
    David Torres, Douglas Turnbull, Luke Barrington, and Gert Lanckriet
  34. Music Style Identification With Constraints
    Tao Li

Accepted short papers (4 pages in proceedings)

  1. Transposition-Invariant Self-Similarity Matrices
    Meinard Mueller, Michael Clausen
  2. Variable-size gaussian mixture models for music similarity measures
    Wietse Balkema
  3. Bayesian Aggregation for Hierarchical Genre Classification
    Christopher DeCoro, Zafer Barutcuoglu, Rebecca Fiebrink
  4. Comparative Analysis of Multiple Musical Performances
    Craig Stuart Sapp
  5. Automatic Derivation of Musical Structure: A Tool for Research on Schenkerian Analysis
    Alan Marsden
  6. Content-based Music Retrieval Using Query Integration for Users with Diverged Preferences
    Keiichiro Hoashi, Hiromi Ishizaki, Kazunori Matsumoto, Fumiaki Sugaya
  7. Stereo Panning Features for Classifying Recording Production Style
    George Tzanetakis, Randy Jones, Kirk McNally
  8. A Music Information Retrieval System based on Singing Voice Timbre
    Hiromasa Fujihara and Masataka Goto
  9. A Supervised Approach for Detecting Boundaries in Music using Difference Features and Boosting
    Douglas Turnbull, Gert Lanckriet,Elias Pampalk, Masataka Goto
  10. Combining temporal and spectral features in HMM-based drum transcription
    Jouni Paulus, Anssi Klapuri
  11. A Game-Based Approach for Collecting Semantic Annotations of Music
    Douglas Turnbull, Ruoran Liu, Luke Barrington, Gert Lanckriet
  12. The Probado Music Repository at the Bavarian State Library
    Jürgen Diet and Frank Kurth
  13. VISA: THE VOICE INTEGRATION/SEGREGATION ALGORITHM
    I. Karydis, A. Nanopoulos, A.N. Papadopoulos, E. Cambouropoulos
  14. HOW MANY BEANS MAKE FIVE? THE CONSENSUS PROBLEM IN MUSIC-GENRE CLASSIFICATION AND A NEW EVALUATION METHOD FOR SINGLE-GENRE CATEGORISATION SYSTEMS
    Alastair J. D. Craft, Geraint A. Wiggins, Tim Crawford
  15. A SYMMETRY BASED APPROACH FOR MUSICAL TONALITY
    G. Gatzsche, M. Mehnert, D. Gatzsche, K. Brandenburg
  16. Automatic Instrument Recognition in a polyphonic mixture using Sparse Representations
    P. Leveau and D. Sodoyer and L. Daudet
  17. MusicSun: A New Approach to Artist Recommendation
    Elias Pampalk, Masataka Goto
  18. Analytical Features for the Classification of Percusive Sounds: the Case of the Pandeiro
    Pierre Roy, François Pachet, Sergio Krakowski
  19. Towards a human-friendly melody characterization by automatically induced rules
    Pedro J. Ponce de León, David Rizo, José M. Iñesta
  20. Annotating Music Collections : How Content-Based Similarity Helps to Propagate Labels
    Sordo, Mohamed and Lauier, Cyril and Celma, Oscar
  21. Polyphonic Music Note Onset Detection Using Semi-Supervised Learning
    Wei You and Roger B. Dannenberg
  22. Towards Integration of MIR and Folk Song Research
    Peter van Kranenburg, Jörg Garbers, Anja Volk, Frans Wiering, Louis Grijp, Remco C. Veltkamp
  23. HUMAN SIMILARITY JUDGMENTS: IMPLICATIONS FOR THE DESIGN OF FORMAL EVALUATIONS
    M. Cameron Jones, J. Stephen Downie, Andreas F. Ehmann
  24. High Time-Resolution Estimation of Multiple Fundamental Frequencies
    Jayme Garcia Arnal Barbedo, Amauri Lopes, and Patrick J. Wolfe
  25. A Comparative Survey of Image Binarisation Algorithms for Optical Recognition on Degraded Musical Sources
    John Ashley Burgoyne, Laurent Pugin, Greg Eustace, and Ichiro Fujinaga
  26. A Cross-Validated Study of Modelling Strategies for Automatic Chord Recognition in Audio
    John Ashley Burgoyne, Laurent Pugin, Corey Kereliuk, and Ichiro Fujinaga
  27. MAP adaptation to improve optical music recognition of early music documents using hidden Markov models
    Laurent Pugin, John Ashley Burgoyne, and Ichiro Fujinaga
  28. Discovering Chord Idioms through Beatles and Real Book Songs
    Matthias Mauch and Simon Dixon and Christopher Harte and Michael Casey and Benjamin Fields

Accepted posters, 4 pages in proceedings

  1. A qualitative assessment of measures for the evaluation of a Cover Song Identification system
    Joan Serrà
  2. A Query By Humming System that Learns from Experience
    David Little, David Raffensperger and Bryan Pardo
  3. Singer Identification in Polyphonic Music Using Vocal Separation and Pattern Recognition Methods
    Annamaria Mesaros, Tuomas Virtanen, Anssi Klapuri
  4. INDEXING MUSIC COLLECTIONS THROUGH GRAPH SPECTRA
    Alberto Pinto, Reinier van Leuken, M. Fatih Demirci, Frans Wiering, Remco C. Veltkamp
  5. Monaural Source Separation from Musical Mixtures based on Time-Frequency Timbre Models
    Juan José Burred and Thomas Sikora
  6. A closer look on artist filters for musical genre classification
    Arthur Flexer
  7. TagATune: A Game for Music and Sound Annotation
    Edith L. M. Law, Luis von Ahn, Roger B. Dannenberg, Mike Crawford
  8. AUDIO IDENTIFICATION USING SINUSOIDAL MODELLING AND APPLICATION TO JINGLE DETECTION
    Michaël Betser, Patrice Collen, Jean-Bernard Rault
  9. Applying Rhythmic Similarity based on Inner Metric Analysis to Folksong Research
    Anja Volk, Jörg Garbers, Peter van Kranenburg, Frans Wiering, Remco C. Veltkamp, Louis P. Grijp
  10. Towards Query by Singing/Humming on Audio Databases
    Alexander Duda, Andreas Nürnberger and Sebastian Stober
  11. Globe of Music - Music library visualization using GeoSOM
    Stefan Leitich, Martin Topf
  12. An Application of Empirical Mode Decomposition On Tempo Induction From Music Recordings
    Aggelos Pikrakis and Sergios Theodoridis
  13. Assessment of state-of-the-art meter analysis systems with a novel meter description model
    Matthias Varewyck, Jean-Pierre Martens
  14. A Dynamic Programming Approach to the Extraction of Phrase Boundaries from Tempo Variations in Expressive Performances
    Ching-Hua Chuan, Elaine Chew
  15. MIR in Matlab (II): A Toolbox for Musical Feature Extraction from Audio
    Olivier Lartillot, Petri Toiviainen
  16. PRELIMINARY ANALYSES OF INFORMATION FEATURES PROVIDED BY USERS FOR IDENTIFYING MUSIC
    Jin Ha Lee, J. Stephen Downie, M. Cameron Jones
  17. Music Retrieval by Rhythmic Similarity applied on Greek and African Traditional Music
    Iasonas Antonopoulos, Aggelos Pikrakis, Sergios Theodoridis, Olmo Cornelis, Dirk Moelants, Marc Leman
  18. Robust Music Identification, Detection, and Analysis
    Mehryar Mohri, Pedro Moreno, and Eugene Weinstein
  19. DESOLOING MONAURAL AUDIO USING MIXTURE MODELS
    Yushen Han, Christopher Raphael
  20. Towards MusicDiff: A Foundation for Improved Optical Music Recognition using Multiple Recognizers
    Ian Knopke and Don Byrd
  21. Mood ex machina: towards the automation of Moody Tunes
    Sten Govaerts, Nik Corthaut, Erik Duval
  22. Tuning Frequency Estimation Using Circular Statistics
    Karin Dressler and Sebastian Streich

Accepted posters, 2 pages in proceedings

  1. Tool Play Live: Dealing with Ambiguity in Artist Similarity Mining from the Web
    Gijs Geleijnse and Jan Korst
  2. Web-based Detection of Music Band Members and Line-Up
    Markus Schedl, Gerhard Widmer, Tim Pohle, Klaus Seyerlehner
  3. FINDING MUSIC IN SCHOLARLY SETS AND SERIES: THE INDEX TO PRINTED MUSIC (IPM)
    Elizabeth Davis
  4. PERFORMANCE OF PHILIPS AUDIO FINGERPRINTING UNDER DESYNCHRONIZATION
    Neil Hurley, Felix Balado, Elizabeth McCarthy, Guenole Silvestre
  5. Motivational Features of Music in Exercise and Influence of Tempo and Subjective Rating of Music in Step Frequency
    Teemu Ahmaniemi
  6. jWebMiner: A web-based feature extractor
    Cory McKay and Ichiro Fujinaga
  7. Strike-A-Tune: Fuzzy Music Navigation Using a Drum Interface
    Adam Tindale, David Sprague, and George Tzanetakis
  8. ATTA: IMPLEMENTING GTTM ON A COMPUTER
    Masatoshi Hamanaka, Keiji Hirata, and Satoshi Tojo
  9. A DEMONSTRATOR FOR AUTOMATIC MUSIC MOOD ESTIMATION
    Janto Skowronek, Martin McKinney, Steven van de Par
  10. Drum transcription in polyphonic music using non-negative matrix factorisation
    Arnaud Moreau, Arthur Flexer
  11. VIVO - VISUALIZING HARMONIC PROGRESSIONS AND VOICE-LEADING IN PWGL
    Mika Kuuskankare and Mikael Laurson
  12. Evaluation of Distance Measures Between Gaussian Mixture Models of MFCCs
    Jesper Højvang Jensen, Daniel P.W. Ellis, Mads G. Christensen and Søren Holdt Jensen
  13. A Demonstration of the SyncPlayer System
    Christian Fremerey, Frank Kurth, Meinard Mueller, and Michael Clausen
  14. A Simple Algorithm for Automatic Generation of Polyphonic Piano Fingerings
    Alia Al Kasimi, Eric Nichols, and Christopher Raphael
  15. Meaningfully Browsing Music Services
    Tim Pohle, Peter Knees, Markus Schedl and Gerhard Widmer
  16. Assessment of perceptual music similarity
    Alberto Novello, Martin Mc Kinney
  17. A Digital Collection of Brazilian Lundus
    Lanzelotte R, Ballesté A, Ulhoa M.
  18. A Stochastic Representation of the Dynamics of Sung Melody
    Yasunori OHISHI, Masataka GOTO, Katunobu ITOU, Kazuya TAKEDA
  19. A Web-Based Game for Collecting Music Metadata
    Michael I Mandel and Daniel P W Ellis
  20. Ensemble Learning for Hybrid Music Recommendation
    Marco Tiemann, Steffen Pauws, Fabio Vignoli
  21. Pedagogical Transcription for Multimodal Sitar Performance
    Ajay Kapur, Graham Percival, Mathieu Lagrange, George Tzanetakis
  22. Using 3D Visualizations to Explore and Discover Music
    Paul Lamere, Douglas Eck
  23. TREATING INHERENT AMBIGUITY IN GROUND TRUTH DATA: EVALUATING A CHORD LABELLING ALGORITHM
    Daniel Müllensiefen, David Lewis, Christophe Rhodes, Geraint Wiggins
  24. An Analysis of the Mongeau-Sankoff Algorithm for Music Information Retrieval
    Carlos Gomez, Soraya Abad-Mota, Edna Ruckhaus
  25. ALTERNATIVE DIGITIZATION APPROACH FOR STEREO PHONOGRAPH RECORDS USING OPTICAL AUDIO RECONSTRUCTION
    Beinan Li, Simon de Leon, Ichiro Fujinaga
  26. THE MUSIC INFORMATION RETRIEVAL EVALUATION EXCHANGE “DO-IT-YOURSELF” WEB SERVICE
    Andreas F. Ehmann, J. Stephen Downie, M. Cameron Jones
  27. Metadata Infrastructure for Sound Recordings
    Catherine Lai, Ichiro Fujinaga, David Descheneau, Michael Frishkopf, Jenn Riley, Joseph Hafner, Brian McMillan
  28. Music Recommendation Mapping and Interface Based on Structural Network Entropy
    Justin Donaldson, Ian Knopke
  29. Evaluation of Real-Time Audio-to-Score Alignment
    Arshia Cont, Diemo Schwarz, Norbert Schnell, Christopher Raphael
  30. Visualizing Music On The Metrical Circle
    Klaus Frieler
  31. PHONEME RECOGNITION IN POPULAR MUSIC
    Matthias Gruhne, Konstantin Schmidt, Christian Dittmar
  32. Autotagging Music Using Supervised Machine Learning
    Douglas Eck, Thierry Bertin-Mahieux, Paul Lamere
  33. Experiments on the Role of Pitch Intervals in Melodic Segmentation
    Tillman Weyde, Jens Wissmann
  34. Search & Select - Intuitively Retrieving Music from Large Collections
    Peter Knees
  35. MUSICAL MEMORY OF THE WORLD – DATA INFRASTRUCTURE IN ETHNOMUSICOLOGICAL ARCHIVES
    Polina Proutskova
  36. Singing Melody Extraction In Polyphonic Music By Harmonic Tracking
    Chuan Cao, Ming Li, Qiang Fu, Jian Liu and Yonghong Yan
  37. CREATING A SIMPLIFIED MUSIC MOOD CLASSIFICATION GROUNDTRUTH SET
    Xiao Hu, Mert Bay, J. Stephen Downie
  38. Social Psychology and Music Recommendations Part 2
    Daniel McEnnis and Sally Jo Cunningham
  39. Keyword Generation for Lyrics
    Bin Wei,Chengliang Zhang,Mitsunori Ogihara
  40. The Latin Music Database
    Carlos N. Silla Jr., Alessandro L. Koerich, Celso A. A. Kaestner
  41. Audio Fingerprint Identification By Approximate String Matching
    J.Lebosse and L.Brun
  42. ENABLING ACCESS TO SOUND ARCHIVES THROUGH INTEGRATION, ENRICHMENT AND RETRIEVAL: THE EASAIER PROJECT
    Chris Landone, Joe Harrop, Josh Reiss
  43. Music Browsing Using a Tabletop Display
    Stephen Hitchner, Jennifer Murdoch, George Tzanetakis
  44. CLASSIFYING MUSIC AUDIO WITH TIMBRAL AND CHROMA FEATURES
    Daniel P. W. Ellis